Category Archives: Glossary

Lumen

Lumen (lm) is the internationally standardized unit of measurement for the luminous flux of a light source and thus allows conclusions to be drawn about the brightness of the illuminant. Colloquially, one also speaks of the light output of a lamp.

The luminous flux indicates the amount of light generated per unit of time; the unit of time is quasi = 0 due to the speed of light of 300,000 km/second, since the speed of light forms our perceptual limit.

Lumen is not to be confused with the unit for illuminance lux, which indicates how much light per unit of time is incident on a unit of area, i.e. the amount of brightness on/at an illuminated surface.

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Candela

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Lux

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Luminous efficacy

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Lux

Lux (lx) is the internationally standardized physical unit of measurement for the illuminance of a light source. The name is derived from the Latin word for light.

The unit lux is calculated from the luminous flux incident on a given surface, i.e. the number of lumens per m². Thus, the illuminance of one lux corresponds to the uniform illumination of a 1 m² surface with a luminous flux of one lumen (1 lux is 1 lumen/m²). Alternatively, 1 lux can be defined as the illuminance at 1 meter from a point light source of luminous intensity 1 candela (1 cd).

Thus, the lux number depends on the distance between the light source and the surface: The greater the distance, the lower the number of lux.

Unlike lumen and candela, which are transmit quantities, lux is a receive quantity.

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Candela

Candela (cd) is an internationally standardized physical unit [...]

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Lumen

Lumen (lm) is the internationally standardized unit of [...]

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Retro digitization

Retro digitization (also retrospective digitization) generally refers to the digitization of analog media, such as print media, film or sound recordings. It is used in particular in the area of libraries and archives in order to preserve valuable collections and endangered works in terms of the protection of cultural assets and at the same time to make them available for use by academic research and a broader global public.

The digitization takes place in image form by scanning or digital photography or in full text by OCR. The latter can be done in a simple version as “plaintext” (pure text) or as “excellent text” (provided with extended structures and hyperlinks).

In Germany, the retro-digitization of written cultural heritage has been significantly promoted by the DFG, the German Research Foundation, since 1997 and has been managed by the German National Library since 2005 as part of the European Library Project. Central digitization centers are located at the Bavarian State Library in Munich and the University Library in Göttingen. An overview of the digitized holdings is provided by the Central Index of Digitized Prints and the German Digital Library.

One of the most prominent examples of retro-digitization is the digitization of the copies of the Gutenberg Bibel scattered around the world.

Moreover, the long-term archiving of digitized media requires suitable strategies to ensure that the data and content can also be displayed and exploited sustainably in systems (hardware and software) that will be used in the future. Therefore, retro-digitization is sometimes associated with archiving on microforms, which have a longer shelf life than digital storage media. Both microforms and digital copies are recorded in the European Register of Microform and Digital Masters (EROMM).

Special scanner for retro digitization

High-performance scanners such as the book2net Ultra A2 or the book2net Mosquito A1 are primarily used in the production area of the digitization centers. V-scanners such as our book2net Cobra , Lizard and Dragon or special applications such as the book2net multispectral system for the scientific research of manuscripts and incunabula are particularly suitable for the conservational digitization of valuable rare collections.

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German Federal Document Safeguarding Project

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Cultural property protection

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OCR

OCR (Optical Character Recognition) is a character recognition for documents. Using [...]

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Color depth

The color depth indicates how many different color levels are available for each individual pixel of a graphic. Since the “fineness” of the gradations depends on how much memory is used per pixel, the color depth is specified in bits.

With 8 bits, for example, 256 color shades can be distinguished for one color channel. A color is created by mixing several color channels of a color space. For computer graphics, the RGB color space is usually used, in which colors are composed by additive mixing of the three primary colors red, green and blue. Even most common computer monitors can only distinguish 8 bits per channel.

One speaks of a true-color representation if the current color depth has at least 24 bits, i.e. 8 bits per color channel (red, green, blue). A color depth of 24 bits corresponds to approx. 16 million colors; this means that practically every conceivable color can be reproduced true to life.

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RGB color space

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ECI-RGB color space

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Color management

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Color profile

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Calibration

In the field of color management, the terms calibration and profiling are often used interchangeably, although they are actually two different processes.

In digital imaging, all input devices (e.g. digital camera, scanner) as well as output devices (e.g. monitor, printer) should be calibrated and profiled to avoid color errors due to faulty devices.

During calibration, devices are trimmed to technical boundary conditions (on the screen, for example, compliance with a specific color temperature); during profiling, on the other hand, the devices are measured and an associated ICC profile is created. Strictly speaking, calibration takes place before profiling, but is often performed in a single pass using special tools.

The difference between calibration and profiling can be clearly understood using the example of a digital bathroom scale: When the scale is turned on, it is usually calibrated automatically so that when it is completely unloaded, the display shows 0 kg. Profiling, on the other hand, would mean that reference measurements are created for a certain number of reference weights (10 kg, 20 kg, 30 kg, etc.) and that a correction value is in turn stored in a profile for each reference weight (e.g. that the scale displays 5% too much when loaded with a weight of 10 kg, only 3% too much when loaded with 50 kg, and only 1% too much when loaded with 100 kg).

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Color profile

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Color calibration

A professionally performed color calibration serves to optimize and measurably compare the image quality of a scanner.

The perception of colors by the human eye is extremely subjective and also dependent on the surrounding lighting conditions. In addition, every imaging device, whether digital camera, scanner, monitor or color printer, has device-specific color interpretations that are reflected in different color models, color spaces or color tones.

Therefore, a professional color calibration, individually adapted to the respective camera sensor, when installing a scanner guarantees accurate colors right from the start.

Color calibration is usually performed using a color target that contains standardized color patches. This is scanned and then the calibration software compares the colors determined by the scanner with the target colors (the actual colors of the individual color patches on the calibration slide are standardized). From the comparison of the actual colors with the target colors, a device-specific color profile (ICC profile) is created, which is now used for each subsequent scan. In this way, individual color errors of a scanner can be corrected. Such an ICC profile is always created for a specific scanner only and cannot be transferred to another device of the same construction.

The color calibration should always be done using professional color targets with color reference standards that correspond to the common digitizing standards.

In the professional digitizing sector, the creation of a color profile is part of the standard scope of delivery.

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White balance

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Calibration

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Color management

Unlike the human eye, which can perceive almost any number of different colors, each image-processing input and output device has its own finite color space, called a device-specific color space. For example, a normal RGB screen represents colors from a combination of 256 red, green and blue tones each; this corresponds to a maximum number of 16,777,216 displayable color tones. But even with this enormous number, not every color that the human eye perceives can be represented. Moreover, even devices that work in the same color space reproduce colors differently.

Therefore, in order to ensure uniform color reproduction across different devices – for example within the process chain of scanner, image-processing PC, desktop publishing viewer and printer – the image data must be digitally matched or offset against each other. This is done by special color management modules. They create color profiles for the respective devices, which describe the colors in relation to a reference color space. The conversion is done on the basis of ICC profiles with so-called rendering intents.

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Color profile

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RGB color space

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Color profile

Every imaging device, whether a digital camera, scanner, monitor or color printer, has device-specific color interpretations that translate into different color models, color spaces or hues. Input devices such as digital cameras and scanners as well as many output devices such as monitors and displays use the RGB color model, while printers use the CMY or CMYK color model.

A color profile is used to translate colors from one color space to another without distorting the color fidelity of the original. A color profile stores how a particular device represents colors against a device-independent color space. The color profiles are created device-specifically by color management systems, and the conversion is usually based on ICC profiles with so-called rendering intents.

The aim of a color profile is thus to achieve unchanged color reproduction on all devices connected in an imaging process chain (e.g. scanner, image-processing PC, desktop publishing viewer and printer).

In the professional digitizing sector, such color profiles are part of the standard scope of delivery.

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UTT

The Universal Test Target (UTT) is a single test chart developed by the Dutch National Library (KB) in collaboration with Image Engineering Dietmar Wueller (IE) and the Fachverband für Multimediale Informationsverarbeitung e. V. (FMI) as part of the Metamorfoze initiative.

The aim was to design a new, uniform test chart that would incorporate the five standard test charts that had been in use until then and thus simplify handling. This was to provide an insight into the overall image quality of the scan results of all types of high-end cameras and scanners, based on current ISO standards. These are captured and analyzed with special software to provide information on technical aspects such as OECF, MTF, noise and color accuracy.

UTT is available in two versions: measured and unmeasured. The “measured” version comes with individually measured reference data for the particular chart purchased. The “unmeasured” version is produced in respect of the Metamorfoze standards and tolerances.

The UTT is available with a variety of options in sizes from DIN A3 to A0. Because the UTT is applicable to all types of digitization projects and preservation, it is particularly important for libraries, archives and museums.

The aim of the developers of the UTT was to save time and improve quality by using the unified target during the digitization process. However, it should be noted that the UTT is extremely error-prone in practice due to its simple design with individually affixed test charts and must therefore be handled with extreme care.

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